REMEMBERING CHRISTMAS on NEW YEAR'S EVE

The radio news reported extra cold weather in Canada and the internet says that in Ottawa it is minus 23C, but feels like minus 28C! Our friends from the UK have had snow but are not quite so cold. They wrote to us remembering a warm Christmas in Australia 3 years ago. A couple of days ago here on the 'surf coast' the temperature got up to 33 Celsius.


The day before that, Boxing Day, the temperature was in the high 20's and we went for a long walk in Iron Bark Basin, which sits above Point Addis beach.  



Many people were enjoying the summer weather on the beach and in the water. Other people were enjoying a birds-eye view.


      

The trees in the foreground are causurinas, which are mostly found on the cliff edge. 


This photo is taken further away from the cliffs  and shows the characteristic nature of the bushland of the nature reserve, where the understory has become dominated by the local Grass Trees (Xanthorrhoeas) since the terrible bush fires of 1983. I really like the way there is no visible horizon, just mass of grey tree trunks that recede into the distance.



I was pleased to see this pink ground orchid, Dipodium roseum...


and this delightful...



...very small Fringed Lily Thysanotua tuberosus.


On an earlier walk I had photographed this cluster of dainty Centaurium erythraea. For many years I had thought this to be a native plant. However, some years ago now, my friend Fermi informed me that it was an introduced species that had naturalised.


My big surprise about two weeks ago was to see this gecko one night outside on a glass door. I took the photo without a flash so it is somewhat blurred. I had thought geckos were tropical lizards. A friend of Rosemary and David's identified it as Christinus Marmoratus, which is widely distributed across southern Australia. We live and learn.

This year we had Christmas lunch with my brother and his family in their new house and I offered to create a 'welcoming ikebana' for the entrance.



This provided some interesting challenges. Firstly I set the arrangement against a mirror on a long narrow, hall table. This meant I had to ensure that the back of the arrangement looked attractive as it showed in the mirror. Because the table was about two metres long I was able to extend the width of the arrangement by using a pair of matching vases and and connecting them with Gymea leaves. The flowers were hydrangeas from our garden. The mirror made it difficult to photograph because of the busy reflected room beyond.

This year I made a 'Christmas Tree' from the stripped branches of a poplar tree. 


The tree was effectively floating, being suspended from the ceiling and decorated with star-like spinifex sericeus seed-heads, and with gold and silver baubles. I then filled a large ceramic bowl with an abundance of baubles. The inspiration for the last idea I owe to my student Helen, see last week's blog.

Wishing you happiness and peace in the New Year. Greetings from,
Christopher.
31st December 2017





CHRISTMAS EVE 2017



I could not resist this cartoon.

It is by the much loved Michael Leunig and featured on the back page of yesterday's 'The Age' newspaper. 

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Three weeks ago I showed a photo of some Xanthorrhoea plants growing along the clifftop path toward Bell's Beach. 



They have been kindly identified by Freya Headlam who volunteers with the Friends of Dandenong Valley Parklands. She suggested they '...could well be Xanthorrhoea minor, or Small Grass Tree, which grows in SA and NSW as well as Victoria.'  

Interestingly, the Dandenong Valley group of linked parklands includes Jells Park where there is a plaque beside a tree that was planted by the late Norman Sparnon. 


     

These photos were sent to me by Greg Schofield, the son of Doreen Schofield who is one of the Senior members of Ikebana International Melbourne and the Victorian Branch of the Sogetsu School of Ikebana.

Returning to the theme of my last two blog postings, below are photos from the final 2017 class of my Geelong-based students. This class was held at the home of Maureen and her husband John. The students brought seasonal materials for a Christmas celebration and were allocated a location that suited the nature of the materials. As it is Summer here in Australia, one of the most conspicuous plants in flower at the present is agapanthus, from southern Africa, which has naturalised and become an environmental weed in Victoria. (Gardeners are encouraged to remove the flower heads before seeds ripen and are spread by birds.)
    

This first arrangement was created by Alana. She has used one of Maureen's vases so that the ikebana could be left in place after the class. Alana emphasised the vertical lines of the agapanthus and contrasted them with the curving lines of a spray of dancing lady orchids.


Maureen created an ikebana arrangement with strong vertical lines. Her principal material was dried agapanthus which she had sprayed silver to match the vase. The blue and green of her secondary material, fresh agapanthus, provided a striking contrast.



Tess also used agapanthus as her principal material. She found these quirky-shaped buds in her garden and sprayed most of them silver. The secondary material, pine needles, were cut short and arranged in an upright mass. Her ceramic vase is a 'tear-drop' shaped vase from Japan that echoed the shape of the agapanthus buds.



Helen created a Christmas table-centre arrangement in a glass bowl. She has floated golden baubles and contrasted them with two strikingly bicoloured roses.



Ellie used pine, white roses and red berries. Her arrangement with sweeping lines was strongly asymmetric in an irregular ceramic vase.



Christine made an arrangement on a kitchen bench, 'to be viewed from all angles'. She used feathery grass-heads, casaurina and red and green flowers. The vessels are made from plastic icecream containers.



Two days ago was the Summer solstice in the southern hemisphere. I made this arrangement for a friend's birthday and felt the upward reach of the sky-blue agapanthus flowers represented the longest day of the year. I enjoyed using the subtly curving lines to make interesting spaces for the central mass of large flower-heads.

Greetings and best wishes from Christopher on Christmas Eve 2017



I think this cartoon sent by Amos (thank you) will particularly appeal to ikebanists.



IKEBANA at HOME in TORQUAY

In the garden about a month ago I was lamenting the lack of flowers on the New Zealand flax this year, after it was damaged by a falling tree last year.


However much to my surprise, following some exceptionally heavy rain, a single flower spike appeared. I was delighted when it grew a full metre in the next week. 


Also this year the Grevillea Robusta has flowered again for only the second time. There are more flowers which are larger and seem more dense than last year.


       

The strelitzia juncea is also doing well this year. 

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The last class for my Thursday morning U3A students was held at my house in Torquay. The class started at lunchtime, later than usual, and I allocated locations around the house for the students to create their ikebana.


I had prepared this welcoming ikebana in the entrance using a hanging vase I had bought in Seto City, Aichi Prefecture in 2006. I do not often use this location for ikebana as I worry that it could be easily knocked.


This arrangement is by Helen using two strelitzia leaves and some green Kangaroo Paw flowers.


Val made this arrangement as an interpretation of a nativity scene. The three lilies represent the Holy Family and the leaves behind them represent the shepherds.


Leonie made a table arrangement using driftwood and pink lilies.


Frances' arrangement was a two kenzan (kabuwake style) work using molecculla laevis, poppy seedheads and Delphinium.


Rhonda arranged Grevillia and Kangaroo paw in a suiban in the house entrance.



Kim arranged two Pine branches in a new celadon vase. It looked so formal that he wisely decided that flowers would be superfluous.

The students discussed their arrangements during my critique and then we enjoyed a social meal of shared food. 

Greetings from Christopher
16th December 2017






HEADING TOWARD CHRISTMAS


In my posting last week Mentioned the Australian native plant species Xanthorrhoea, because of the use of its long grass-like leaves by Mrs Ishikawa at the Book 5 workshops in Sydney. During this week, when I went for a walk along the clifftops, I was reminded of her arrangement when I noticed some xanthorrhoeas in flower. This particular variety is low growing and does not develop a trunk. 


  
  

I also could not help noticing the masses of fluffy seed heads of clematis micro-phylla that had developed over recent weeks. 



   


   

This shows how the flowers looked in August when I first posted this photo... 


...and the beginnings of the seed-head formation in September. 

At the second last class for my Geelong students, Helen and Tess were doing supplementary exercises as they both finish Book 2 of the Sogetsu curriculum.



Helen made two arrangements 'for a festive occasion', in this case an Australian Christmas. In her first work she has used red green and silver as traditional colours for the season.



In this second arrangement the focus was on the beautiful lines of a dried eucalyptus branch that has been sprayed silver. The fresh green material is a small sprig of grevillea and the white a mass of geranium flowers. Helen said the very metallic silver was 'chrome' spray paint.



Tess chose to make a 'Variation No. 4 Hanging' arrangement for her revision. She has used a beautiful prunus branch with some deep red gerberas.

The senior students were asked to make an arrangement using an 'everyday object as the vase'



Ellie made a massed and a floating arrangement 'in the same tonal range' using a tagine base and lid.



Christine made this arrangement of spring onions in a paper cylinder she found.

What follows is an item of 'house keeping' for want of a better description. Last week I was pleased to receive a 'comment' on my post. So thank you 'irby' from Nevada. In recent times I have not replied to comments because my reply becomes buried by the next post. For the information of those who make comments, I need to advise that I do not see your email address. If you would like to correspond with me please email me at: roadsideikebana@bigpond.com

Greetings from Christopher
3rd December 2017


I would like to congratulate my colleague Lara Telford who will finish her 3 months studying at the Sogetsu Headquarters at the end of this week where she has been the latest recipient of the Norman and Mary Sparnon Endowment scholarship. She has a new posting on her blog from Tokyo. This is part two so make sure you scroll down further to see part one.




BOOK 5 TRAINING in SYDNEY

Last weekend, with a large group of Sogetsu practitioners from around Australia and New Zealand, I attended a training day followed by a day of workshops for the new Book 5 of the Sogetsu curriculum. 

The program was presented by Mrs Ishikawa, a Master Instructor from the Sogetsu Head Quarters, whom I had got to know in 2011 when I spent 3 months in Tokyo as a recipient of the Norman and Mary Sparnon Endowment Scholarship. On the morning of the first day, Mrs Ishikawa's PowerPoint presentation covered a number of exercises from the new text book which was followed by demonstrations. Below are photos of some of her demonstrated works.


The example above is of Exercise 1, from the new text Book 5, using 'Seasonal Plant Materials'. In this case Jacaranda j.mimosifolia flowers and strelitzia nicolai. 

In the Australian context, a 'Seasonal Arrangement' can be a challenge as our seasons are not as clearly defined as in Japan. It is especially the case when using native materials. Mrs Ishikawa pointed out the importance of using materials that are only available locally during the particular season.



Exercise 18 is, 'A composition expressing movement'. Mrs Ishikawa chose to represent the word 'explosion' with this energetic arrangement of 'spear grass' xanthorrhoea arborea, (I think) and 'pincushion flower' leucospermum cordifolium.



Exercise 8 is 'Arranging in a suiban without a kenzan'. This is a more difficult example of the exercise as the palm fronds provide fewer opportunities for fixing the stems together.



Exercise 4, new to the curriculum, is an arrangement using 'Green Plant Materials' only. This causes the ikebanist to pay attention to the varieties of green as well as texture.



Mrs Ishikawa chose long needle pine, Pinus palustris, a double white oriental lily and yellow kangaroo paw, Angiozanthos, for her 'Arrangement for a Celebration'. She added gold painted washi paper and red sticks to create an extra feeling of occasion.



Exercise 2 is an arrangement using a 'Vertical fixture'. In this example Mrs Ishikawa used tortuous willow and peonies in an irregularly shaped tall vase.



On the second day, the participants got down to work for two very focused workshops. The first exercise was 'Composing with Branches - A two step approach'. Each participant was provided with a bunch of dried branches which had to be wired into a self supporting three dimensional sculptural form. 



I had five straight branches with fairly solid stems and multiple, smaller, side branches that had obviously been reaching upward. I was able to make a three legged base to which I added two further inverted branches joining them by the small side branches only. It tended to sway a little but stayed upright. 



The second step in the exercise was to use this structure in a different way in a vase with some fresh flowers. I placed the branches horizontally across a stemmed ceramic vase (I had wanted to float them above the vase but could not achieve the effect I desired). I then added two stems of white snapdragons that gave a soft fresh feeling.



This is a close up of the flowers.



Mrs Ishikawa commented on the different appearance of the branches when placed horizontally. In the critique, her suggestion was that I should add a small leaf, peeping at the back of the of the vase. It certainly made a positive improvement to the arrangement.



The afternoon exercise was to re-use the morning materials to make a celebratory arrangement. We were required to add a branch of camellia leaves and some mizuhiki (Japanese paper strings) or other decorative man-made material. I re-used my branch structure, this time placing it vertically, then added a single branch of the camellia stripped of all but five of its leaves and placed it vertically. The stripped branch had a very similar form to the dried branches and blended in well. The mizuhiki was looped and hung on the left-hand side. The colours and tall shape suggested to me the shape of a Christmas tree made from driftwood.

Finally, I must express my gratitude to Mrs Ishikawa for two days of inspiration, and to the New South Wales Branch for their hospitality and all their hard work in presenting the workshops.

Greetings from Christopher
26th November 2017

Lara Telford has a new post on her blog from Tokyo where she is the latest recipient of the Norman and Mary Sparnon Endowment scholarship.

Also my colleague Emily Karanikolopoulos has a blog post about the Book 5 workshops in Sydney.